THE INTERN – rating: 3 stars
Directed by Nancy Meyers, with Robert De Niro, Anne Hathaway, Rene Russo, Adam Devine, Anders Holm, Andrew Rannells and Linda Lavin.
REVIEW: Stephen Farber
WRITER-director Nancy Meyers has scored a number of commercial successes (including It’s Complicated and Something’s Gotta Give) by going against the grain and making movies centred on women and aimed at older audiences. These films have not always fared as well with critics as with audiences, and you can expect the same divided response to her feel-good comedy, The Intern.
On the plus side, the movie benefits from the casting of Robert De Niro and especially Anne Hathaway. And the premise has possibilities. Hathaway plays Jules Ostin, a high-powered executive at a new fashion website, and De Niro is Ben, a senior intern hired to work for her after he rejects the idea of retirement.
So far, so good, and the supporting cast is also appealing, even if some of their roles are very thinly written. But there’s a vacuum at the centre of the film that becomes increasingly problematic: Jules is at first reluctant to take on Ben as her intern, but she quickly realises his value, so there isn’t a lot of conflict to enliven this central relationship.
This film bears a resemblance to Baby Boom, a 1987 film co-written by Meyers and her former partner, Charles Shyer. In that picture, Diane Keaton was a high-flying executive forced to re-examine her priorities when she inherits a baby. But the movie was a lot funnier and sharper. One of its strengths was that Keaton played a more flawed character than the talented and vibrant Jules. In addition, Keaton’s character had antagonists in a suspicious boss (Sam Wanamaker) and a sneaky co-worker (James Spader – who else?). In The Intern, Hathaway’s Jules doesn’t really have anyone trying to challenge or undermine her, and that means drama is often short-changed.
This film proves how political correctness can damage a movie. Baby Boom made the point that a demanding career can hurt the personal lives of women as well as men. But in The Intern, Jules has a stay-at-home husband and an adorable daughter in addition to a stimulating career. It’s all a little too perfect. There is one surprise twist that suggests her life may not be as ideal as she thinks. But even this stumbling block is resolved much too quickly and neatly. The whole movie is way too tepid to scintillate.
Even the humour is a bit antiseptic. The funniest scene – in which Ben and three of the other staff members break into the home of Jules’ mother to delete a message that Jules sent by mistake – is basically an aside that has little to do with the film’s central storyline.
Given the vacuity of the script, it must be admitted that Hathaway achieves something of a triumph. She’s always engaging and keeps the character on a human rather than superhuman scale. De Niro has demonstrated his flair for comedy in such films as Meet the Parents, Analyze This, and The King of Comedy, but this role is too constricted to allow him to break free. He’s been given a romantic interest in Rene Russo, who’s a more age-appropriate mate than Hathaway. She is still a decade younger than De Niro, however, and undeniably glamorous. It’s interesting that the film rejects the idea that Ben might have a romance with a woman his own age. When such a character appears in the person of Linda Lavin, she comes across as some kind of gorgon and sends him fleeing in horror.
In the end, an overdose of blandness sinks this middling star vehicle. – Reuters/ Hollywood Reporter